Mallard House - Work In Progress (Post 1)

This is another scenario I started right when I finished the House in the Rock. It has 2 days since I started the modelling. I pretend to finish it on 7 days at most too :) I choosed a few small concepts where I can learn a few things and can progress to the next thing as fast as possible. While that I have a huge project to start, and if I finish it someday... you guys will be impressed :)

Concept by Hyejung Lee.

Special thanks to my friend who asked me to pick a concept and I accepted. That's the one she choosed for me to start my new Demo Reel:

To find more artworks go to:

https://www.artstation.com/artist/asgqg

House in the Rock (Post 1)

Hello guys, I used this amazing scenario from Charlène Le Scanff to learn 3D Coat, and I tried to make it a lil fast, using 7h per day I finished it on 5 days.
I did learned 3D Coat, and I kind recomend it, because it has some features that could be improved, but it's brush is perfect. That I can not argue about.
Hope you guys like it :)

Link to the Artstation is right here, you can see the turntable and the marmoset viewer right there:
https://www.artstation.com/artwork/q31yL

LightHouse - Work in Progress (Post 2)

Tava modelando o cenário para o Contest do Artstation, acontece que preferir deixar ele de lado por um tempo, to guardando ele na caixinha pra no futuro eu refazer as texturas e as luzes e poder comparar o meu avanço. Ele ficou assim por agora:
Ficou como W.I.P. porque em algum momento finalizarei ele :)

LightHouse - Work in Progress (Post 1)

Recentemente entrei para um Challenge do Artstation para cenários em realtime, ideia inicial era começar usando o Marmoset Toolbag pra apenas ter as texturas se atualizando sozinhas e eu conseguir ter noção do que consertar, finalizando o projeto no Unreal Engine 4.

Acabou que eu demorei mais de 3 semanas pra começar o challenge, então perdi um tempo precioso que poderia ter gastado aprendendo todo sistema de iluminação e de textura do Unreal. Com isso resolvi finalizar pelo Marmoset e tentar arranjar uma maneira de iluminar razoavelmente.

No momento tenho 1800 objetos... sim! Quando resolvi fazer um cenário enorme com 700 objetos fiquei louco e prometi nunca mais fazer algo desse tamanho... e aqui estou... 

Além disso tenho 13 UVs, como o challenge para personagem limita a usar UVs em 4K, resolvi fazer o mesmo para o cenario e felizmente deu tudo certo.

No momento estou fazendo a textura da árvore para depois partir para a montanha e a pedra, são normalmente os últimos objetos que texturizo porque eu menos gosto de fazê-los.

No momento o cenário está assim:

Concept:

O link onde fico atualizando os renders ficam aqui, tenho por volta de 2 semanas para terminar esse environment:

https://www.artstation.com/contests/ancient-civilizations/challenges/19/submissions/13739#submission-update-58224

Honey Cup - Work in Progress (Post 2)

I was having problems with the lightning on this scenario, even because some V-Rays versions does not work how it was suppose to do.
I will stop working at this scenario and wait untill I learn enough about lights and texture, to make the project better and in the end, will compare to understand my progress at it.

While that, the light is like this now:

 Before:

Mill (Post 2)

I think this project is done. Still thinking if I post it on my portfolio or not :)

The concept is from Alexandra Ryazanova

Lighthouse - Work in Progress (Post 2)

This is my update for the Artstation contest :)